Title: The Mermaid
Author: Christina Henry
Genre: Fantasy, Urban Fantasy, Historical Fantasy
Title: The Mermaid
Author: Christina Henry
Genre: Fantasy, Urban Fantasy, Historical Fantasy
Author: S. Jae-Jones
Genre: Fantasy, Young Adult, Romance, Gothic Literature, Fairytale
These days, it’s a rare thing for me to find a good fantasy novel and really enjoy the romance that inadvertently seems to crop up within its pages. And last year, I was sent Wintersong by S. Jae-Jones, and I immediately fell in love with the gothic world of the Goblin King and his conquest, the musical protegee Liesel.
Unfortunately, I didn’t review this book (but I’ll link a blog post from Smart Bitches, Trashy Books if you want to get up to speed with the gist of the tale) before I dive into the review of its highly anticipated sequel, Shadowsong.
Shadowsong is the conclusion of the Wintersong series and had quite a lot to live up too. At the end of the first book, Liesel had broken the old laws and had left the Goblin Underground and her husband to go back to the real world. However, it was obvious that this would have a ripple effect on the world, and I was excited to see how it would pan out.
Six months had passed since the end of Wintersong, and Liesel is just existing in her world. Stuck between missing her Goblin King and realm underground and coping with the running of her family’s failing tavarn in the backwoods of Bavaria, Liesel is trapped between the past and the present. Unable to compose or even really listen to music, she cannot find comfort in her day-to-day life. Along with this, Liesel’s closest confidante – her brother Josef – has been spirited away to the glittering social circles of Vienna and Salzburg, there is little to salvage once was the feisty, musically inclined Goblin Queen.
However, when Liesel receives an emotional summons to join her brother, she quickly flees to his side to get caught up in the baroque decadence of the big cities. Yet, little to Liesel’s knowledge at first, The Wild Hunt is furiously pursuing her. And soon Liesel has to confront her demons, her past and the warped creature that was her austere young man that she left in the Underground.
As I said, this book was highly anticipated for fans of Wintersong. I know readers couldn’t wait to clamour all over the rich world that Jae-Jones had envisioned, and see whether Liesel and the Goblin King would ever get reunited again.
Yet, for me, this book fell incredibly short of the mark.
First thing. The romance wasn’t there. Like I said, it takes me a lot to actually enjoyed the YA/fantasy romance of books nowadays. But the tension and relationship between Liesel and her Goblin King were one of the main hooks of the first book. So much so that I couldn’t wait to read all about their exchanges and scenes again.
But in Shadowsong, it barely was there. The couple spent 95% of the book separated. So, soon I got bored of the plot.
Don’t get me wrong, the lyrical style of writing was present. S. Jae-Jones is a beautiful writer, and her descriptive passages are lovely to read. But I really wasn’t invested in the plot this time. I didn’t really care for the struggles of Josef (a fairly bland, angsty character in my mind) or the twists and turns of the novel. I very nearly put this sequel down a few times, just because I felt a little cheated. However, I did persevere. The ending tied all the loose ends together well, and I did feel that it sort of brought it back from the brink (although the plot line where Liesel was trying to discover the Goblin King’s real name should have been more prominent, I feel. To me, it was kind of lazy writing how it was just thrown in there at random points and rushed at the end) but I really did feel let down.
Perhaps, in a few months, I’ll pick up Shadowsong again and read it. But I know that for my first impression, it radically fell short off the mark. However, I would read more of S. Jae-Jones work, so I will give her that.
Title: La Belle Sauvage (The Book of Dust Volume One)
Author: Philip Pullman
Genre: High Fantasy, Epic Fantasy, Science Fiction, Young Adult
It has been decades in the making and has garnered legions and legions of new fans every week. In the world of YA fiction, this was going to be a revolutionary event. One that we, as readers of the original trilogy, had grown up adoring and clamouring for. And finally, a few weeks ago, Philip Pullman’s long-awaited addition to His Dark Materials world was finally published, and I jumped at the chance to get it a day before the actual publication date (it’s handy to know people in the publishing industry).
And here is my official review for La Belle Sauvage: Volume One of The Book of Dust.
Set 10 years before the start of Northern Lights, La Belle Sauvage follows the tale of the incredibly likable Malcolm Polstead and his daemon Asta and how he came to become acquainted with the heroic Lord Asriel, a baby Lyra Belacqua and help set the course of His Dark Materials. After living a quiet and relatively peaceful life in his parents’ pub, The Trout, on the outskirts of Oxford, Malcolm’s life soon turns upside down when a baby is snuck into the convent and put into the care of the nuns. It is then up to Malcolm to help shield this baby from the nefarious powers which want to cause harm to the child, and the lengths that he will go to protect Lyra.
Like with its predecessors, La Belle Sauvage is heavily influenced by Christian ideology and Biblical stories. Towards the end of the novel, there is an event that is very reminiscent of the Great Flood, and there is also an overlying story arc where the world that Malcolm lives in is controlled by ‘The Magisterium’ – known commonly as The Church. Fans of Pullman’s Dark Materials trilogy will be familiar with this type of world-building, but I also don’t think it provides too much confusion for standalone reading. That is one thing I must stress about this book. La Belle Sauvage (despite being another piece of the world of Lyra’s world) doesn’t need the contextual read of Pullman’s other novels. It has strength and understanding on its own. The novel also deals with bigotry, persecution and the League of St Alexander – a group that is remarkably similar to the Hitler Youth and Orwell’s 1984.
For me, this novel had its strengths in the first two-thirds of the story. I feel that with the introduction of giants, river gods and fairies in the last third/flood scenes, it became a bit too ‘Studio Ghibli’ for me to digest. I felt that if he had introduced them earlier, it wouldn’t have been so jarring. (Side Note: I love Studio Ghibli, but I feel that it doesn’t blend well when you push them into Pullman’s world without any backstory.)
Once again, the character writing is fantastic. Malcolm is a singularly brilliant and complex character. One so driven by his need to protect Lyra, that he is willing to leave his family and deliver her back to her father. However, we do see moments of struggle with him, which the reader see him for what he is: a mature and conscientious eleven-year-old. The other characters, like the plucky Alice really come into their own as the novel progresses and Malcolm gets to know her. Fans of the original series will also be happy to see the return of Lord Asriel and Mrs. Coulter.
A return to the captivating world of His Dark Materials, La Belle Sauvage feels a bit like coming home. We, as fans of the original series, will love the journey back into the world where humans have daemons (visceral pieces of their soul living as animals) and new readers will be transported to a universe that is so unlike anything they’ve ever read before. With a perfect blend of new material and old favourites, I can’t wait for the next installment!
To buy the book.
Title: Our Dark Duet (Monsters of Verity Book 2)
Author: V.E. Schwab
Fantasy: Urban Fantasy, Fantasy, Paranormal, Young Adult, Fiction, Adventure, Teen Fiction
Last year, I got the chance to review the wonderful kick off of the Monsters of Verity series, This Savage Song on my blog, and I loved it!
So when Titan Books sent me the sequel and conclusion to this series (without even requesting it, so a huge thank you to Titan Books for keeping me in mind), I was thrilled. Obviously, I had to do a reread of the first book, and I fell back in love with the world that Schwab created, along with the badass characters that she wrote about.
Without giving too much away, Our Dark Duet is set six months after the big climatic end of This Savage Song, and the world of Verity is thrown into chaos. With the monster issue really becoming a problem, and war between human and creature becoming an inevitable reality, we follow as our protagonists battle to save their cities along with themselves. August has become the leader he never really wanted to be, and Kate has become the hunter she always knew she could become. But when a new monster comes into a fold – a monster that seems unstoppable, uncatchable but reaping devasting power, Kate and August are thrown together again in a battle that will determine the real winners. Lives will be lost, blood will be spilled and sacrifices will be made.
Our Dark Duet shows real character growth, as both August and Kate have to deal with relationship issues from newcomers, along with having to confront demon’s from their past. Schwab has maintained this easy flow of writing that I commented upon in the first book, and she has once again made the story very readable and addictive from the first page.
With a new monster coming into the fold, this gave the novel a much-needed kick that I was hoping it would have. This Savage Song did leave the story
off with a good cliffhanger, but I didn’t think it would be enough for the entire book to be based around, as I felt it would’ve weakened the storytelling. So to have a brand new nemesis mixing with the older ones became very effective.
However, I do have some criticisms about this novel. I felt the solution to the new monster’s death was a bit rushed and didn’t feel as strong as it could’ve been, along with the speed of the final battle. There were also character’s who seemed relatively important at first, and then really disappear without a trace. Having them come back into the narrative would’ve been a cool little reminder for me.
But this was a good conclusion for the Monsters of Verity series. I’m definitely going to be looking out for more from this author.
Title: Angels of Music
Author: Kim Newman
Genre: Fantasy, Horror, Alternative History, YA, Teen Fiction
One of my favourite fantasy authors has always been Kim Newman. I discovered him a couple of years ago, when I first started getting into The Gothic, and devoured his alternative history version of the Dracula tale – Anno Dracula – and I loved how he retold the canon in new and imaginative ways. Luckily, I was sent his newest book for review, and I knew from the front cover that I would love it.
Angels of Music is a retelling of Gaston Leroux’s The Phantom of the Opera tale (note, very different from the Lloyd Webber musical), and follows the plot of The Phantom running detective/crime fighting underground syndicate made up of talented female agents who solve the crimes that the higher levels of society would like to keep out of the public eye. Basically bohemian Paris’ Charlie’s Angels. The toxic underbelly of Paris is revealed, and with automatons, vampires and mass murderers running riot through the city, it only takes one spark of a flame to ignite a terrifying series of events.
Angels of Music reunites some of Newman’s best loved characters, with Kate Reed and Irene Adler coming into play as one of The Phantom’s agent ‘Angels’, and gives mini stories throughout the novel that links together at the end.
Written in the traditional Newman style of different historical characters coming into play throughout the text, and different historical events being retold to fit the narrative, it felt like coming home to an old friend, and not forced or false at all. I also find myself Googling these events, just to read the real history.
I really enjoyed the different Angels, and with the plot moving forward in a linear fashion, girls leave and get replaced with others. All in all, Newman wrote 18 different Angels, all with different characteristics and back-stories, which provided an interesting read. None of them felt really left out and rushed, and none of them really seemed repeated. I particularly liked THE JAPANESE LADY and the vivacious CLARA.
All in all, this is another brilliant novel from Kim Newman. It hasn’t faltered in quality at all, and I love that he’s gone into another Gothic figure of interest and completely put his own spin on it.
Angels of Music is out now.
Title: The Many
Author: Wyl Menmuir
Fantasy: Fantasy, Urban Fantasy, Science Fiction, Contemporary Fiction, Paranormal, Ghostly
As part of my job, I’m very lucky that I can go and interview authors and people of note. So when I was put onto contacting and reading The Many by Wyl Menmuir, I was not only excited to have some new reading material, but intrigued that this small publication (independently pushed and just over 130 pages long) has been long-listed for the prestigious Man Booker Prize.
So I picked up a copy from my local bookshop, and set about reading. It took me just over an hour to devour it, and I’m pleased to say I was hooked. The Many is worthy of the nomination, as the story is brilliantly woven, expertly told and with different voices and with a satisfying ending that will both leave questions unsolved, yet the reader entirely sated.
Set in an unnamed fishing community on the North Cornish coast, the novel focuses around a new arrival to a very close-knit and closeted community. On paper, Timothy Bucchanan’s move from London to the village makes perfect sense. However, the narrative dives into a world that is completely isolated, mysterious and unfriendly to newcomers. With the ghost of a man that still holds sway over the locals, wasted fish being hauled from a contaminated sea, and unsettling dreams, Timothy soon gets swept up in village life, and with thousands of questions going unanswered, Timothy decides secrets must be unveiled, and the past has to be dug up.
The Many is rare in how it spans and encapulates different literary genres. With biological warfare and contaminated seas signalling science fiction, a world that is cut off and completely isolated being something out of dystopian literature, a murder mystery that has yet to be solved, and a touch of fantasy blending alongside magical realism, this novel feels a lot bigger than it physically is. Menmuir has given the readers enough of the characters to be interested by them, but not bog them down with unneccessary backstories. The figure of Perran, a character who died years before the narrative is set, is like a ghostly figure over the village, and his influence and story is hidden within plain sight. He is never properly physically described, nor do we properly hear him speak (apart from within flashback sequences) yet despite being dead, he is so present within the village conscious.
Timothy arrives at this village with his own issues. He has hopes and dreams of settling down and moving his wife away from the London rat-race, and in touching passages he can imagine himself through different social scenerios. However, this doesn’t happen. And Timothy is left constantly on the outside, yet being the most talked about man in the village.
The village dynamic is also very well written about. As I live on the Cornish coast, I know that there can be some animosity towards newcomers, yet this village certainly runs with it, and brings a Wickerman-esque feel to the narrative.
The novel has some interesting dream sequences, and moments of surrealism/magical realism, which reminds me of the writing styles of Alan Garner and Gabriel García Márquez. These sequences do have to be taken a face value, and towards the end of the novel, the world of the village and probably even Timothy’s own mental state does get a bit fractured, which just adds to the dynamic of the novel.
All in all, a great piece of literature. I’d thoroughly recommend it if you want to try a good read that will stick with you, yet isn’t too physically big.
The Many is out now!
Now, I’m a girl who loves a good fantasy series. Fantasy books and television series can transport you to new worlds, and through the characters you grow to love, or hate, you can witness political backstabbing, murders, battles and mythical beasts.
So, in this Top 5 post, I thought I’d give my favourite fantasy book sagas, for any readers who have yet to stumble upon this genre.
1: A Song of Ice and Fire by George R.R Martin.
I’ve actually done a full review of this book saga on my blog, so I won’t go too in-depth here. So what I will say is this book saga is excellent and intricate. Wars, old grudges and bloodlust makes for very interesting reading, and the saga has been made into an award-winning television series. I would rate this a very obvious staple choice if you want to read any fantasy at the moment.
2: The Kingkiller Chronicle by Patrick Rothfuss.
With two novels published in this soon-to-be trilogy, this saga is a favourite of mine. The story-telling is good, the plot is highly enjoyable and the fact of it being somewhat of a biography for the main character, a mysterious figure known as Kvothe, makes me love it more. I have read and reread this story, and I still find it as enjoyable as when I first picked it up. If you like high fantasy, excellent writing and a host of unique characters, I suggest this.
3: His Dark Materials by Phillip Pullman.
This is a book series you just have to read. And don’t be put off by the bad adaptation of the first book. His Dark Materials really transcend all age ranges and different audiences. Featuring alternative worlds, witches, polar bear warriors and battles with God and religion, this saga is not only brilliant at world-building, but the writing is easy enough for young teenagers to understand.
4: The Stormlight Archives by Brandon Sanderson.
Once again, I’ve done a review on the first book here, but this series really deserves to be on this list. World-building in this series is done masterfully, and if you like battles, magic, different cultures and history, then you’d like this series. The characters are complex and well thought out, and I never felt bored when reading this ornate world.
5: The Lord of the Rings by J.R.R Tolkien.
I doubt there could be a fantasy book list without this saga. Written in the 1950s as a sequel to The Hobbit, Lord of the Rings revolutionised the world of high fantasy and epic fantasy and has been influenced authors for years to come. The books are atypical of Tolkien’s florid and highly descriptive writing style, and follow the story of the destruction of the One Ring by the Hobbit, Frodo Baggins and his comrades. So I would say, if you’re looking for the ultimate of ultimate fantasy novels to read, why not try this? You can’t be worse off. And then watch the movies.
So here are my top 5 choices. I doubt there are any shockers on here, but if you have any comments or queries, just send me a question.
(Below is an essay written for the Nightmareland Book Blog Tour by Christina Henry for the promotion of her Alice and The Red Queen books. Big thank you to Christina for allowing me to be involved in this unique idea, and all those at Titan Books. Enjoy!)
A GIRL CALLED ALICE by CHRISTINA HENRY
Alice’s Adventures in Wonderland and Through the Looking Glass is a tale beloved by millions, so embedded in our cultural memory that nearly everyone can conjure up an image of Alice – from the original story, a film remake, a game or one of many re-imaginings done by assorted authors through the years.
Alice has taken on the quality of myth, a character no longer bound to her creator or origin story but a modern-day legend open to interpretation like those other contemporary fairy tale figures from Neverland and Oz.
Many people have never read the original Alice but feel as though they have, because so many qualities about the Alice story have entered our shared lexicon – falling into a rabbit hole, for instance, is a phrase that’s taken on a meaning and life of its own quite apart from the original story.
And images from the story – the disappearing Cheshire Cat who leaves his smile behind, the Mad Hatter and the tea party – have become a kind of shorthand, s
hared experiences that make us feel like we’ve all been part of Wonderland for a very long time.
I asked my son why everyone loves Alice, and he immediately answered, “Because there’s adventure. And magic.” I think these are exactly the two qualities that attract children and adults to this story time and again.
There is something enchanting about a world that you can fall into, where there is adventure but somehow never any real danger (despite all of the Red Queen’s blustering about taking off Alice’s head I never worried, as a child, that such a thing would actually happen), and where magical things occur with matter-of-fact regularity.
Then there is Alice herself. She’s very pragmatic throughout the story, in a way that makes everything else real. The famous quote about believing six impossible things before breakfast was actually said by the White Queen in response to Alice’s remark that “one can’t believe impossible things.”
This is fairly astonishing given that Alice has already seen and done more impossible things than most people, but it’s her clear eyes that make her such an attractive character. Alice is very firmly rooted, and that fact roots the story as well. When a fantastic world has this kind of steady grounding it’s easy to believe in talking caterpillars and disappearing cats.
Tour dates and relevant blogs to visit!
Title: This Savage Song (Monsters of Verity Book 1)
Author: V.E. Schwab
Fantasy: Urban Fantasy, Fantasy, Paranormal, Young Adult, Fiction, Adventure, Teen Fiction
The world of Young Adult fiction is a hard category to break into if you’re an author, and equally hard to wade through if you’re a reader. There are categories within sub-categories within sections within communities etc, and sometimes it can feel overwhelming at the choice.
But, to me anyway, there always seems to be one theme and one consistent subplot through these stories, and that is of romance. And to be honest, this has become overused, over-tired and irritating. Especially when it drives the narrative, and without it, the story wouldn’t work.
So when I was sent this book to review by Titan Books it felt like a breath of fresh air. As when I picked up and devourted This Savage Song, it had all the promise and familiarity of a well-written YA fantasy novel, but without all the use or plot-need of fated romances or even love.
In This Savage Song, we are set into the world of Verity, a divided city where the violence of the streets has started to creat and manifest itself into real and grisly monsters. Kate Harker and August Flynn are the heirs to this city, and both have their own agendas and ideas on how to survive in this dangerous world. All Kate wants is to be as ruthless as her father, who lets the monsters roam free and makes the inhabitants of his side pay for his protection. August just wants to be human, as good-hearted as his father – but his curse is to be what the humans fear. The thin truce that keeps the Harker and Flynn families at peace is crumbling, and an assassination attempt forces Kate and August into a tenuous alliance. But how long will they survive when the streets are safe, and the monsters no longer want to lurk in this shadows?
What I liked about this book is the easy flow of writing and the fact the plot never seems to dip or just go slow. The action is fast-paced, continuous and keeps you hooked from page one until you close the book. I haven’t read any of Schwab’s other books, but I’ve heard they’re equally as entralling. The two main characters were also fleshed out well. I felt that although August was my personal favourite, due to his selflessness and overall wish just to be human, Kate was also interesting. Schwab went indepth with her character, and by slowly exploring her weaknesses to the readers and the characters, she felt so real, and living through a mask.
The world-building was good in some parts. I really enjoyed the use of violence actually creating monsters, and how different levels of violence impacted on which sort of monster would manifest. I also enjoyed the political views of Callum and Henry, as they deal with the creatures in different ways. The end was also good to tease the reader for the next book. However, sometimes I needed clarification over which secondary character was which, and I would have loved to find out more about the history of the city and how the monsters came to be. I felt that a map of the city would’ve been useful, as I couldn’t really orientate myself as I was reading.
But one thing I did love was how it was just a good, well-written fantasy novel. When reading it I was so glad over the lack of romance, as another author could’ve easily put it in and just made it about two star-crossed lovers. Kate and August are just allies and friends who were trying to make the city better. Romance was never needed, and I didn’t miss it.
All in all, this was just a good urban fantasy novel. The writing didn’t annoy me, the characters felt three dimensional, and the premise was good and it didn’t failt to deliver a good story. It did help me revisit my fondness of the YA genre, and did give me some faith that not every book has to feature romance. So I’d heartedly recommend this novel to any fantasy fan.
This Savage Song is out June 7th – Buy it here!
Title: The Way of Kings: Part One (The Stormlight Archives)
Author: Brendon Sanderson
Genre: High Fantasy, Epic Fantasy, World-Building, Action, Adventure, Mythical, Alternate World
“The purpose of a storyteller is not to tell you how to think, but to give you questions to think upon.”
In recent years, the genres of High and Epic Fantasy has gone through a resurgence in popularity and interest, and attracted more of a public and mainstream status and audience. Through film sagas like The Lord of the Rings and The Chronicles of Narnia, and into television shows such as Game of Thrones, Beowulf and even the children’s favourite, Merlin, the sub-genre of High Fantasy has moved into public consciousness and shown off its talents of world-building, alternative realities, epic battles and mythical creatures.
I’ve always been a fan of fantasy novels, but apart from reading the obvious Lord of the Rings and A Song of Ice and Fire series, I’ve never actually ventured into reading really high fantasy. But when I was sent Brandon Sanderson’s Words of Radiance books (the third and the fourth books in The Stormlight Archives), and was intrigued by the back covers, I knew I had a new winter read on my hand. So I bought the first volume, The Way of Kings, and when I got this tome of a book of nearly 1,000 pages, I knew I was in for some serious world-building and character exploring.
(Quick sidenote: In the UK, The Way of Kings has been split into two halves, due to the absolutely massive size of the book. But without realizing it, I bought it in one complete volume of over 1,000 pages. This review will be on The Way of Kings in its entirety, rather than limiting it to having two reviews for both halves).
Roshar is a land of harsh climates, fierce battles and raging conflicts. The country is frequently decimated by fierce tempests, which have not only shaped the geography of the land, but also its people, and there are wars fought and won over the capture of territories, spoils, and pieces of weaponry known as Shardblades and Shardplates – which make the wearer near-invincible and impossibly strong. The narrative primarily follows three plotlines – Kaladin (the ex-soldier turned slave), Brightlord Dalinar (ex-war hero who is feared to be going insane) and Shallan (ex-noblelady who turns to crime and nefarious deeds to get her family back to a higher rank), and how they all navigate Roshar’s tempestuous landscape, torn warzones, fragmented cultures and spiritual beliefs. The novel also deals with the typical high-fantasy tropes of drawn-out battles with swords and weapons, mythical beasts, battles between good and evil and quests of high significance.
Now, like I’ve said before, the only high fantasy novels I’ve read have been Tolkien and George R.R Martin’s creations, so I really didn’t know how I was going to get on with these extreme levels of fantasy. But I was pleasantly surprised over how readable and enjoyable I found this book. Yes, it is very high fantasy, and at some points it can be fairly muddled and confusing – personally, I found the descriptions of the religious beliefs to be somewhat convoluted and appear to be too thought out and confusing – but for the majority of the time, I adored the world-building and the attention Sanderson put into his characters, and bringing the world to life.
The characters were readable and enjoyable, and I found as we moved through the pages, their backstories were unraveled slowly, so we could fully appreciate and see how they react to events and circumstances. I particularly liked Brightlord Dalinar, whose apparent insanity is an interesting read, as we see it from Dalinar himself, but also his comrades and family members. Shallan was also very interesting, as she had a lot of choices between good and evil to deal with, and her relationship with her tutor, the King’s heretic sister, Jasnah was one of intrigue and tension. The characters are also never put forward as being perfect, but flawed and entirely human in that respect. What I did find interesting was how social hierarchies were dictated by the colour of a persons eyes, and how ‘light-eyes’ were always higher up, no matter how good or bad this person was. I’m really looking forward to seeing how that particular story arc progresses during the rest of the books.
As in most fantasy series, there are a great deal of warzones and fight scenes. And Sanderson doesn’t disappoint with his descriptions of the battles. Yes, they are bloody, but not explicit. And with the addition of the Shardplates and Blades, the battles reach new heights of intensity and skill. Sanderson has also included layers of technology, magic, science and Other-ness throughout the story, so there isn’t really any point when anything seems too out there or farfetched.
So, did I enjoy this book? The answer is a definite yes. I have read another story by Sanderson called Steelheard, which I did find good, but I found this book to really surpass that. This has been an excellent attempt at high-fantasy, as he not only excels at world-building, but also at just giving characters a voice and storytelling. At some points it is a bit confusing, and the first third of the book isn’t the fastest moving, or most dynamic part, but all in all, I did enjoy it. Fans of Tolkien and George R.R. Martin should definitely read this. At the moment, I am reading the second book in The Stormlight Archives, and I’ve heard that this is going to be a ten-book series. And truthfully, I cannot wait.
But, let me know what you think! I’d love to hear feedback.
Sanderson’s website – Click Here.